More Notes & Comments on Ultraviolet Light for Paranormal Photographers
From Introduction
to Research in Ultraviolet Photobiology by
John Jagger, copyright 1967, Prentice Hall:
Sir Isaac Newton in 1666 placed a glass prism in a small beam of
sunlight and thus began the first scientific studies of the
spectrum of colors in white light. This radiation is called
visible light. It includes wavelengths in the range 3800-7800
angstroms (A), the limits being determined by average human
visual sensitivity {1}. In the year 1800, Sir William Herschel placed a
thermometer in the dark region just beyond the red end (7800 A)
of the spectrum and found that the apparent temperature there was
higher than anywhere in the visible spectrum. Thus was discovered
infrared radiation. In the following year, J.W. Ritter,
observing the blackening of silver chloride {2}, found that
the effect of the dark region beyond the violet end (3800 A) of
the spectrum was greater than anywhere in the visible spectrum
and thus discovered ultraviolet radiation (UV).
By the end of the 19th century it had been found that visible light, infrared radiation, and UV were only a small part of the vast spectrum of electomagnetic radiation which includes, in order of decreasing energy, gamma, X, UV, visible, infrared, radar, and radio radiations (see Fig. 1a).
X rays and more energetic radiations can ionize atoms and molecules (cause them to acquire a charge by addition or removal of electrons) and are therefore referred to as ionizing radiations. The borderline between X rays and UV is not clear-cut . . . we will consider the UV radiation to stop at about 1000A, where practically all atoms and molecules can be ionized. Thus, for most of our purposes, UV may be considered to be nonionizing radiation.
Both air and water absorb UV below about 1900
A, and the region from 1000-1900 A is therefore called the extreme-
or vacuum-ultraviolet region, since experiments in this
region usually must be conducted in a vacuum. Atmospheric ozone
cuts off solar UV at about 3000 A, and provides for separation of
the remaining UV region into the far-ultraviolet (1900-3000A)
and near-ultraviolet* (3000-3800 A) regions. It is
probably no accident that, precisely at the wavelength at which
the atmosphere cuts off solar radiation, the proteins and nucleic
acids, molecules of prime importance to life, begin to absorb and
be damaged by that radiation.
* These definitions are far from being universal. Physicists
often call radiation in the region 1900-3800 A
"near-ultraviolet" and in the region 40-1900 A
"far-ultraviolet." Photobiologists may refer to
radiation in the region 2800-3150 A as
"middle-ultraviolet", because of the erythemal effects
on skin. {3}
Figure 1a from Introduction to Research in Ultraviolet Photobiology by Jagger. |
Additional comments from JH: {1} Naturally there are slight variations in the actual wavelength cut-off limits for visual sensitivity between individuals. Could this explain why some people are able to see auras, ghosts, etc. while others don't? Animals have slightly different ranges of sensitivity to light than humans and it's also said that people who have undergone cataract removal surgery are sometimes temporarily able to perceive UV. {2} The darkening of silver chloride from exposure to light is the principle that led to the invention of film photography. Silver chloride crystals in the emulsion layer of photographic film create a 'negative image' wherein brighter objects are rendered as darker . {3} Other sources often use the terms UV-A, UV-B, UV-C and UV-D to refer to the near, middle, far and vacuum UV wavelengths. Also, nanometers (nm) rather than Angstrom units are commonly used to denote the wavelengths of light with 400 nm being equivalent to 4000 A. |
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Here's a diagram of the
passband characteristics for my UV transmission filter. The UV wavelengths that it passes are almost entirely restricted to the 300-400 nm range. This correlates to the 3000-4000 Angstrom range in the EM spectrum diagram above which tells us that a small percentage of visible violet light will pass through this filter. Note that this filter also passes a limited range of infrared, however ordinary film is not sensitive to infrared so that can't be responsible for the images in question. |
Below are a series of questions and comments from
Karl Balliet with Jim Hale's responses (shown in red).
>I have been studying Jim Hale's report on his Hawkeye
project, and have some questions and comments about it.
First, could the orbs and blue streaks be caused by something
other than ultraviolet light?
Perhaps by an as yet unrecognized form of
energy that is not true ultraviolet light but which shares many
of its characteristics?
>I think that a VERY significant question here is: Why did the
camera "see" something that the person who took
the picture did not see? If I remember correctly, in other
pictures, by other photographers, the blue forms were also
not seen by the person taking the picture. Can human eyes detect
U.V. light?
By definition, the realm of ultraviolet
light begins where normal human perception of visible light ends.
We can't see UV light but film is very sensitive to it. These
questions were the basis for my original speculation that UV
might be the cause for certain mysterious photo images.
>Arc welding produces U.V., light (which is why welders
have to wear masks to screen it out.) One can see a blue light
from the welding, but I don't know how much of this is, if any,
is U.V.
Arc welding produces a wide spectrum of
light including UV, visible light and infrared but again, the
light that you can see from an arc welder is not the UV part.
Similarly, eye protection must be worn during a total solar
eclipse to protect your eyes from the coronal UV radiation which
is still present even though virtually all visible light from the
sun has been blocked.
>Would a picture of a welding arc show anything like the
orbs that are sometimes found?
Good question, we could try taking some
photos around a welder using the UV transmission filter.
>What other types of light or energy would be detected by
photographic film, but not by the human eye? X-rays, gamma rays
others?
X rays and radioacticvity from uranium were
actually discovered due their effects on photographic film and of
course this effect is routinely used in medicine and industry.
Scientists use photo emulsion coated plates to record the
behavior of high-energy particles in cloud chambers and
accelerators. Not all such particles show up directly on film
however their presence and behavior can be inferred by the
reactionary movements of the particles that do.
>When a high-energy cosmic ray comes into the earth's
atmosphere and hits a particle it reacts with a high energy
release. Would this show on a film, and if so, what would it look
like? (This could not explain blue lines etc).
It would with the right equipment, see
below.
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From The Particle Explosion A very high energy cosmic ray iron
nucleus shoots into some |
>What other possible natural sources of U.V. light, or
other forms of energy, are there?
The sun for one, and this would include
reflected sunlight, however UV from sunlight passing therough a
glass window would be greatly reduced. (Don't know how much if
any UV reflected from the moon makes it through the atmosphere.)
Camera flash units (Xenon type) produce UV but this is usually
suppressed to some extent by special coatings. Ordinary
incandescent bulbs and flourescent lamps produce some but
relatively little UV, it takes a very extended eposure time for
these to affect film when the UV pass filter is used. Projection
lights, "black lights" and full-spectrum lights
(including some aquarium lamps and gro-lamps for example),
tanning lamps and possibly certain UV medical lamps might be
encountered in ordinary settings, and of course the previously
mentioned light from arc welders. Otherwise there aren't too many
common sources of strong UV.
>Would an extremely small point source of high energy
produce an orb and/or a surrounding glow?
I think so, of course this would depend on
the distance, exposure time, camera and film etc.
>What was the exposure time for the picture that showed two
orbs? If was more than fraction of a second, the orbs either were
not moving, or the duration of the light must have been
very short.
The exposure time was a few seconds,
however I don't know just how long the orbs were actually present
during the exposure period. I believe that these things move in a
pulsing or oscillatory fashion whereby they
appear/disappear/reappear very rapidly.
>I presume one cannot determine the intensity of the light
source from the picture. If it is a very intense light, then it
should show up on the film in a pinhole camera.
Since we don't know the distance and
duration of the phenomenon in the picture we can't determine any
specifics but I'd say it was pretty close and pretty intense. The
one at the Exchange Hotel probably would have showed up on a
pinhole camera.
>A rough idea of the light intensity might be obtained by
putting strips of inert film, having varying degrees of
transmission of U.V., across the unexposed film, before exposing
it. The amount of interference that reduced and/or stopped the
registration of the light would be an indication of its
intensity.
Something like this could be done by
"piggybacking" multiple filters with known transmission
characteristics. Ideally multiple cameras using different sets of
such filters could yield extremely valuable information if they
captured the same phenomenon simultaneously.
>Were any other measurements made in the rooms where the
orbs etc. were detected? EMF, ultrasound, magnetometer
etc.?
Although nothing unusual was observed at
the exact time these photos were taken, we did get transient EMF
spikes on our meters, as well as other unusual electrical
fluctuations/disruptions at both of the locations during our
investigations. The Roanoke location yielded significant results
with my ultrasound equipment, the Exchange Hotel had prevailing
infrasound vibrations (didn't have the infrasound technology at
time of the Roanoke trip). And of course occupants had reported a
variety of unexplained phenomenon including auditory and visual
experiences at both locations.
>Would it be worthwhile to use a radiation detector?
Couldn't hurt.
Should some film be exposed to various types of radiation:
X-rays, radar, gamma rays radioactive decay etc. to
see what sort of images would be obtained?
Maybe so, although we could probably find
good examples of these with a little research.
Would it be possible to determine the wave length of the
light? To get a spectrogram of it?
I don't think this is possible with the
already recorded phenomenon except to say that it had to be
within the passband of the UV transmission filter. (See diagram
above.) I suppose that X and Gamma radiation would get through
too, this would be a good question for the manufacturer. Passband
filters are available with a great variety of transmission
characteristics so by using different combinations it should in
principle be possible to determine the spectrum of this type of
phenomenon with a high degree of accuracy. The only problem is
getting the things to pose for us when we want them to.
>I think Hawkeye is a great project. This is
"the way to go".
Thanks, I think it's definitely on a track
with lots of potential for serious research.
During a recent presentation by the VGHRS in Chesterfield County, we were shown photographs by two different groups of people who had recorded numerous images on film that seem to belong to the category of UV energy phenomena. One gentleman had a stack of perhaps 30 or more pictures that had been taken with different cameras over several years. Each of these pictures showed the oscillating bluish-white energy stream moving in close proximity to his son. The family also reported a range of apparent paranormal activity, much of it seemingly centered around the son.
The picture below was taken by a lady whose brother lived in the house shown and she says that several people had experienced a variety of unexplained occurences there. This shot is especially remarkable in that it shows an energy beam moving through a doorway, then between and around some trees and extending well out into the yard. Notice that it was broad daylight, the photographer tells me that the camera she used did not even have a flash attachment so none was used.
